Wednesday 25 May 2011

A Guide to Unisex Sunglasses 2011




Ever since Yves Saint Laurent put a Le Smoking suit on a woman in 1966 ladies fashion as we knew it ended. Emancipated woman realized that clothing no longer has to be restrictive to long skirts, high heels and tight waist. She put on men shirt, loose jeans and military inspired jackets. The term "unisex” appeared. Lately term “gender neutral” became popular. Essentially meaning the same thing as “unisex”, “gender neutrality” applies to men striving to feminine elements of fashion just as much as ladies to men.



Eyewear follows fashion quite closely and since 2010 unisex glasses models make over 60% of entire collection. While this number may appear very high, let’s face it only a few models in each brand collection has a heavy decorations that put them to purely woman category. The rest is unisex. Glasses almost reached a point when there are no men models any more, there are just ladies and unisex. Some brand names are more gender neutral than others. For example Prada, Hugo Boss, Gucci, Tom Ford have larger percentage of unisex models than Dior, and Versace. Some are purely ladies such as Tiffany, Blvlgari and Roberto Cavalli. And some make a point to be men only such as Dior Homme or Carrera. Of course lens size is also a clear sign of some glasses meant to be for men – anything over 60 cm in lens width is considered to fit men head that is generally bigger than ladies. On the other hand, there are certain ladies only glasses models that men love for style but they won’t fit due to a smaller lens size.

Unisex became even a bigger phenomenon in 2012 and continues to be in 2013. In fact eyewear companies started to feature both men and woman in the same glasses and also removed gender identification from the catalogs and some websites.

Other than that, check out our selection of 2013 unisex sunglasses :

Friday 13 May 2011

L'Amour Fou – Story of Yves Saint Laurent. The Review


L'Amour Fou, a critically acclaimed film that premiered at TIFF (Toronto Film Festival) last year has drawn many nostalgic thoughts about the late fashion genius, but also opened our eyes on his private life.

Many people got to discover a figure of Pierre Bergé for a first time - Yves Saint Laurent lover, friend and a business partner, who was present at the premier.

Movie starts with Chrsitie’s Auction selling off the antique and art collection of the late designer. As the auction carries on, Pierre recollects stories from his past life, life of Yves Saint Laurent, his thoughts about the past and future.

Many can say movie is extremely sad, as we discover how unhappy Yves Saint Laurent was despite incredible business success. He was living in depressive state for many years and had attempts to end his life. He was continuously wishing the past would come back and he could relive certain age phases again. It appears that once he entered the mid life crisis, he was never able to exit it. He was a man who lived the past while creating a future.

Pierre Bergé comes through as a very strong person who is perhaps the main reason Yves Saint Laurent lived as long as he did. He is very philosophical about life and has no regrets of letting the astounding art and antique collection change hands to be enjoyed by someone else.

The movie puts a new prospective on the art collection as there could be a parallel drawn between YSL designs and pieces of art he collected as we find out for the purpose of getting inspirations. Andy Warhol pop art ideas were used to revolutionize fashion in 60s.

Today’s fashion lives in the world created by YSL over the past 50 years. A short 5 year cycle saw YSL inspired safari, ethnic, military, marine and pop styles interchange each other in during 2005 – 2010 period. During his career Yves Saint Laurent brought woman through a transformation making her masculine via scandalous men suits, then feminine via silk silhouettes and then natural via animal inspired dresses.

Yves was born with a natural talent to create art and a nervous condition that gave him mood swings since very early age. He played with paper dolls creating outfits for them and at age of 18 was won a prize at Paris fashion competition sending Karl Lagerfeld to the second place. As his career took off so did media attention, attention that could not stand. He was hired by house of Dior and after Christian Dior passed away was made a chief designer. Once pairing up with Pierre Bergé he left house of Dior and went off to create his own - YSL as we know it today.

During creation of YSL empire and sustaining it Pierre Bergé was a master mind behind all business decisions, publicity campaigns and acted as a chief liaison on behalf of his partner, at times instead of his partner when Yves was undergoing a mood swing. L'Amour Fou is a great tribute to a deceased fashion genius and also to still living Pierre Bergé who can tell us first hand secrets of YSL success and shed light on some mysteries and myths that surrounded his partner.